Mid-1984 saw the first volume of Doctor Strange arguably at the height of its acclaim and pivoting toward a new chapter in its run, with writer Roger Stern continuing in the series after taking a two-issue break (which, for a bimonthly comic, worked out to four months) following an ambitious storyline which saw the eradication of all vampires from the Earth. Joining Stern again would be artist Paul Smith, who contributed a one-shot issue previously profiled in the PPC and who would remain with the writer (with the exception of a single issue in October) until they would both depart the book near the end of '85. Leading off their collaboration was what appeared to be an understated story involving a man who wanted to stake his own claim as a practitioner of the mystic arts--but as we'll see, the danger he posed went beyond the threat he represented to the Sorcerer Supreme.
As both the issue cover and the splash page imply, our pretender, Kerwin Havelock, has happened upon a way to increase both his standing and his fortunes, by making appearances in order to arouse the curiosity of potential patrons and entice them to attend seminars which would line his pockets and help spread his reputation through word of mouth. One such appearance is attended by two people of note: magnate Henry Farrington, who has fallen for Havelock's swindle hook, line and sinker... and writer Morgana Blessing, whose interest in Havelock is professional but whose connection to an actual sorcerer will prove to be prudent as we go behind the scenes and learn the extent of Havelock's "skill."
In meeting with Havelock, Strange learns there's a little more to Havelock's background than meets the eye--information appropriately revealed by the Eye of Agamotto, which reveals how he came to learn the names that he casually invokes in his act but which have alarmed Strange to the extent of finding it necessary to intervene. But Strange would have needed eyes in the back of his head to guard against Freddy, the "cynical businessman" in Havelock's stage act who prevents Strange from getting very far with his plan.
Fortunately, Strange regains consciousness in time to fend off these men with his skills as a martial artist; but the concussion he now has prevents anything further on his part other than a timely escape from their clutches using his cloak of levitation, after which he barely makes it back to his sanctum.
Still in no shape to act decisively against Havelock, Strange nevertheless realizes he must confront him once more before the man has a chance to invoke disaster with his careless incantations. And so he and Morgana attend Havelock's seminar at Farrington's country estate in Connecticut, where Strange, in mystic disguise, must push aside his health concerns and act to preserve the lives of the attendees, as well as countless others.
The gateway is then sealed--leaving only a kneeling, sobbing Havelock, whose state of shock and horror is mirrored in the faces of the attendees who have been exposed to a sampling of the terrors that await beyond our own dimension. Their plight can be mystically remedied by the only authentic sorcerer in their midst--but the charlatan whose ignorance set all of this in motion is not so lucky.
To date, we haven't seen any further activity from Kerwin Havelock, which would imply that this experience stuck with him. Yet, given the loose similarities between Havelock and another careless practitioner of the mystic arts, Cyrus Black, as well as their link to Nightmare (albeit Havelock's being a more informal one), it wouldn't be surprising if Nightmare himself took notice of this man and gave Havelock the choice of becoming part of his plans, or remaining trapped in his own living nightmare.
9 comments:
Pohldahk? In the '70s there was a BBC TV series called Poldark set in the 18th Century but it had nothing to do with the mystic arts! (Poldark was recently re-made but I never watched any of the new episodes).
Yeah, Pohldahk made me groan too Colin. Seems like Roger Stern might have had terrible taste in old British tv costume dramas...
Comicsfan, I stopped reading Dr Strange around the end of the Dracula storyline that must have been shortly before this - not because I didn't enjoy Stern's work, but there were quite a few good comics around that time and a couple of fill-in issues on a bi-monthly schedule were enough to lose my attention - so thanks for the post.
Whether theres more or not, for now can I ask - would you recommend catching up with this run at all? I'm not that keen on Paul Smith's work, so basically: did Stern keep up the standard he set on Strange?
-sean
I love the writing of Roger Stern and like almost everything he's done, and his run on Strange is second only to Ditko. But while this story was enjoyable, I feel it would have made a better story in Strange's earlier career. It's very much something I could see Ditko doing in one of Strange's first appearances. But it's not as compelling as how Strange was at this time - holding the title of sorcerer supreme, used extensively as Marvel's Deus Ex Machina in other titles at the time, and acknowledged to be as unbelievably powerful.
It's an interesting story, but there's really no tension even with the gimmick that Kerwin will unwittingly release something or that Strange has a concussion.
Chris
Colin, what can I say, you are a font of interesting trivia. ;)
sean, as you noted, with the book bimonthly at this point in time there isn't a great deal of catching up to do--but what there is left of Stern and Smith's contribution (some issues of which have been "PPC'd"), I think you'll enjoy and consider worth the effort. Come back afterward and give us all a full report!
Chris, I agree that this sort of story which sees Strange tending to a more ordinary threat at the outset (which nevertheless ended up posing an extreme level of danger that nearly overwhelmed one and all) would have made fine Ditko fare, while for myself it serves to break up the pace a bit and gives foes like Nightmare, Dormammu, and Mordo the day off. You may find another such tale (joining Stern with artist Kevin Nowlan) a little more to your liking in terms of giving Strange's abilities and experience their due.
I've always been envious of guys like y'all. I can identify artists and inkers at a glance (well, not so much in the last decade of "new" guys), but writers? Forget it. To seek out a writer and spot their work among all the static is amazing to me.
It's similar to me and movies. I know the name of the Director of the film is at least, if not more so, as important as the starring actors. Yet, I can hardly hold on to a few names to belatedly look up when a new movie catches my eye.
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I think it should almost be mandatory that Dr. Strange get his fingers dirty or his melon conked every few issues. Anchors him in my reality and allows me to empathize with his situation.
Where I find the tension draining away is an issue with Dr. Strange floating/posing in front of an abstract art backdrop, reciting poetry and firing different abstract art from his fingertips at a gibbering abstract art entity. That sort of story is absolutely part of the sorcerer supreme gig, and to be expected, but too many issues in a row and my attention starts to wander.
There was a single issue story recently skipping thru a decade of Stephen Strange's life as he helps his neighbours and friends (and himself) stop a greedy realtor trying to "McGentrify" his area of Greenwich Village. It was fun. And how many people can relate to hoping and wishing their neighbour was the Master of the Mystic Arts when those oily developers come sniffing around?
I think it should almost be mandatory that Dr. Strange get his fingers dirty or his melon conked every few issues.
Murray, allow me to introduce you to Defenders-Dr. Strange, who was almost routinely clocked old school by unimpressed, super-strong villains. The concussion he received from Havelock's accomplice was only the tip of the iceberg compared to what he suffered hanging out with his little non-team.
I'll vouch for that. Doc Strange routinely took a licking but kept on ticking in the Defenders. He had a bandage on his head for the whole Xexogenesis arc, after some weirdo invaded the Sanctum Sanctorum and clocked him, whilst stealing the Eye of Agamotto.
Although that attack really didn't have anything to do with the Defenders, per se.
There was that deal with Plant Man, where Strange got knocked out and trapped in some kinda giant floating spore.
I'm embarrassed I know this stuff.
M.P.
Oh, no introductions necessary, CF! The "Defenders-Dr. Strange" and I are well-acquainted. Strange, Nighthawk, and Luke Cage throwing down is the epitome of "non-abstract" roughousing.
I hesitated to include the Defenders in my comment because A) my comments sometime feel like they border on Ponderously Long, and B) I figured the focus was on Stephen in his own solo title(s).
"Pohldahk" is the American adaptation of Poldark, set in Boston.
/s
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