Continuing the PPC's look at the House Of M crossover event from 2005, we turn our focus away from the title series to others whose lives were affected by the rise of mutants in the world, where a brief synopsis tells us the circumstances of not only the clinging existence of homo sapiens, but of those heroes who now unknowingly find themselves in different lives than those they led.
The earliest two books out of this gate comprise those who, in our reality, saw their characters meet very early in their respective careers. But the reality we're exploring in this series was created by the disturbed mind of the Scarlet Witch--and in the world that she brought into existence, Spider-Man never met those we know as the Fantastic Four, and their histories are radically different here where mutants reign supreme, and where their lord, Magnus, has fulfilled the goals he long fought for but could never achieve in adversity.
Peter Parker, as well, has seen his dreams of happiness and fulfillment come true--but if that is so, why does he feel uneasy in a life where he's achieved everything he ever strove for? And if Reed Richards and those who accompanied him into space were killed during their flight, as we learned previously, then what four people have taken their place?
To answer the second question first, we have to look back to this world's space flight which returned a crew of four who had been exposed to the effects of cosmic rays. But here, the results of that exposure were more pronounced--and Victor Von Doom was present to take charge of the one and only survivor.
Here, Von Doom, as any other "sapien" on a planet where mutants are favored above all, serves at the pleasure of the House of M--and though the relationship between he and that house's head, Lord Magnus, is amiable enough, Doom secretly chafes at the subservient role he holds. And so he forms a team of individuals made up of those closest to him (his wife, Valeria, and his young ward, Kristoff), and gifts them with enhanced abilities--and, together with the weak-willed Ben Grimm, they represent, in his words, "[a] team with the combined power to rule the world... to take back the world... from the abominations which have claimed it."
Officially, of course, Doom and his team serve as an elite squad assigned to missions by Magnus in instances where pockets of sapiens continue to offer resistance in one form or another to the world order--but the "Fearsome Four" unfortunately prove to be true to their name against their opposition, even as they secretly await preparations for springing their trap against the unsuspecting Magnus.
A memorable exit for the Mole Man, whose stinging words have obviously struck at the heart of Doom's own feelings about his status as a valued if ancillary operative of the House of M.
Eventually, the simmering feelings of inferiority which Doom suffers in the service of Magnus boil over when he is summoned to a meeting to apprise Magnus of what was to be a trade agreement with the Mole Man but instead ended far differently than intended. To Magnus, the meeting serves as the means of reminding his vassal of the importance of carrying out future operations as directed, as well as, perhaps, conveying a veiled warning of the hierarchy that must be observed in their relationship; but to Doom, it's the final straw.
Though it may not seem likely given what we've seen of the character thus far, Grimm, aka "the It," will end up playing a crucial part in the Fearsome Four's final battle with Lord Magnus and his House. But to hint at the outcome, bear in mind that House Of M will continue to play out on its own and as a crossover event until the end of 2005.
Peter Parker, on the other hand, has a much rosier outlook on life thanks to the cards he was dealt, or so it would seem. A rich, young, world-famous, accomplished scientist/actor/philanthropist who is also the celebrated Spider-Man (now revealed to be a mutant), he has the life of his dreams--and while he realizes there is nothing amiss about the scene that greets him one morning, the feeling of relief that nevertheless washes over him is evident.
Unlike Doom's story, where the only familiar face to be seen in relation to the FF was Grimm's, the Spider-Man series isn't so encumbered, presenting us with a number of characters whose lives have come to intersect with Peter's without the shadow of Spider-Man coming between them--as well as those who, like Gwen Stacy and her father, avoided death's hand this time around. Yet as much as the sun has come up for Peter, there is always the reminder of the plight of other humans in this at times uneasy world where the shoe is now on the other foot.
Things become tense, however, at Peter's surprise birthday party--and his Lex Luthor look isn't helping matters, which even gives his son, Richie, pause when it comes to hugging him. But we see the armor truly begin to crack when he flies off the handle at his P.R. manager, J. Jonah Jameson, for no good reason--and then again, when he overhears a conversation between his bodyguard, the Rhino, and his actress co-star, Mary Jane Watson, that broaches a subject which might have the ring of truth.
The issue concludes with Jameson being confronted by, of all people, the Green Goblin--at first mistakenly pegged as Crusher Hogan, a close friend of the Parker family who is like a second father to Richie. At the end of that meeting, Jameson, fed up with Peter acting toward him with loathing and mistreatment, agrees to help the Goblin destroy Spider-Man--a teaser that carries this five-issue series successfully through to the very end, in a conclusion that hits the ball out of park (or snagged out of the lake, as it happens) and makes it the more rewarding of the two books presented here. Highly recommended.
Reading the House of M since your last post about it, I have to say I couldn't get into the Spider-Man series, Comicsfan. Possibly because I've never been much into Spidey, so the whole 'What If' aspect - 'What if Uncle Ben and Gwen Stacy were alive?' didn't really interest me - and I found it hard to accept some of the storyline.
ReplyDeleteNo-one ever found out Spidey wasn't a mutant, even though he's rich and famous (no-one like, say, SHIELD has anything like Cerebro)? And it seemed weird the public turned against him because of the journal, when - unless I missed something - parts of it were verifiably not 'true'.
The FF series on the other hand, I actively disliked. Doom tries to betray Magneto because... well, he's Doom so he would, wouldn't he? Thats not much story to fill three whole issues. They could at least have tried to give us more information on the world of House of M.
That was the big problem I had with the whole thing - all those comics, and you don't really get much sense of the world, how it actually works. Its supposed to be the opposite of the regular Marvel universe - 'the shoe is on the other foot' as you put it, between humans and mutants.
But it isn't. I mean, humans and mutants don't usually both all think the same thing about the other in Marvel comics (at least, they didn't when I was reading them regularly). So if things are reversed in this world, why do the mutants - and by this point there's millions of them, right? - all back what appears to be an oppressive apartheid regime?
In Black Panther #7, Storm gave an explanation of why she went along with Magneto, but wouldn't side with him either, that was the only point in House of M where I got the sense of some kind of complexity to the world that had been set up. A bit more of that kind of thing would have helped sell me the concept more.
That, and better writing. Like in the Chris Claremont X-Men issues. He didn't give you that much sense of the changed world either, but it didn't really matter because he wrote engaging characters (no, I can't believe I'm raving about Claremont either ;)
-sean
Sean, I can't help but agree that the FF series is mostly a Doom vehicle, particular since there is no Fantastic Four per se to counter that impression. The Spider-Man book, by contrast, I found to be more character-driven in that the news that Spider-Man is "passing" for a mutant breaks fairly early in the story, a development which shows us a good deal of what kind of world this has become in terms of the outrage mutants respond with and Peter consequently losing his lucrative and satisfying career (to say nothing of his standing with the public). The fact that he was able to pass at all was something I found believable on the whole, given that the mutant community had no reason to believe otherwise (and the fact that Jameson, though duped as well, was good at his job at keeping attention focused on Peter's life as a philanthropist/scientist/actor). The one glaring flaw in such an approach, however, is the presence of the Sentinels--constructs specifically designed to detect the presence of mutants (or the lack thereof), but reporting nothing out of the ordinary when it came to the "mutant" Spider-Man.
ReplyDeleteAs far as humans being oppressed by mutants in this reality, we would have to chalk that up to a mutant rebellion that we're told occurred three decades past which led to mutants making great strides at the highest levels of government and indeed turned the tables on human/mutant relations (leading to developments such as Kevin Plunder, aka Ka-Zar, becoming a "human rights activist")--some of which we'll touch on as we progress with this series.
I don't have the where-with-all nor any real passion to dig thru all these "House of M" issues. Therefore, I'll "cheat" and ask for inside info on how this alternate reality dealt with Thor and the Asgardians.
ReplyDeleteIn the "Age of Apocalypse" alternate reality where mutants were in charge, albeit in a much more brutal fashion, I recall being quite disgusted at how the writers just hand-waved Thor away. Obviously they had zero idea of how to deal with a thunder god determined to protect Earth.
Thor was going through a little crisis of his own called Ragnarok, Murray--poor timing for we Earthlings, to be sure. We wouldn't see him again until Fall of 2007.
ReplyDeleteConvenient timing for Marvel writers though, Comicsfan (;
ReplyDeleteMurray, I think you have to accept some hand waving away of stuff on a Marvel Earth with so many super beings, at least to an extent. Like, if I'm reading about the FF dealing with some huge threat to New York I don't think a writer necessarily needs to explain why the Avengers don't turn up to help them out, even though logically they should (wasn't there always supposed to be an Avenger on duty?)
So long as a story works well on its own terms, I'm ok with temporarily forgetting theres characters like Thor out there... Although I suppose a line-wide 'event' does make that harder to do, which is a good argument against having them regularly.
-sean
Marvel once treated a crossover guest visit with wonder and awe.
ReplyDeleteAs the years have passed, they've done so many guest visits that it's sometimes hard for a guy to remember which titles are starring a specific hero and not to expect anyone in the neighbourhood to drop by.
The bigger the scale of the menace, the more I appreciate a little nod in one panel where (for example) Reed Richards tries to call Avengers Mansion and Jarvis says "They're in the Kree Galaxy". Fine and dandy.
When the scale is so big as to encompass the entire planet and they cherry pick tales to explain where the F.F. and Spider-Man are in the new scheme of things, it feels mandatory someone better explain where the other heroes ended up.
Since a mutant book for mutant fans should feature mutants, I can see why the writers don't want Thor coming down and serving up some Asgardian whoop-ass on Magneto et al. All I "demand" is the writer being clever for a moment and explaining why not.
During "House of M", Thor being caught in Ragnarok is bona fide and legit.
In "House of M" and "Age of Apocalypse" (and others I'm not recalling), one moment I do feel is a really necessary, but never appears. These scenarios have the history of Earth flipped topsy-turvy, but what happens on our speck of mud doesn't affect the universe. Be it Magneto, be it Apocalypse, be it whoever...some wannabe ruler of the world has to deal with that first visit by a gleaming guy on a surfboard followed by his world-eating boss...